Differences
This shows you the differences between two versions of the page.
Next revision | Previous revision | ||
60_fps [2017/09/18 06:06] – created beandog | 60_fps [2021/10/18 00:41] (current) – removed beandog | ||
---|---|---|---|
Line 1: | Line 1: | ||
- | ====== 60 fps ====== | ||
- | Some good links: | ||
- | |||
- | * [[http:// | ||
- | * [[https:// | ||
- | |||
- | As a general video snob, I always prefer to have the best quality available, and by principle having to re-encode anything makes life frustrating for me. However, encode we must, and so we make the best of it. Taking original DVD source video from 23.97, 24, 25, 29.97 or variable frame rate to 60 fps seems a little weird, and so it is. In doing any kinds of tests, the ultimate benchmark is measuring how the user experience rates between two or more sets of examples. Despite that, I still enjoy the intellectual challenge and discovery of new options. | ||
- | |||
- | Having a source be variable framerate has always bothered me, and caused problems in the past when I was first doing encoding from one format to another (aka ripping DVDs). Just in general, trying to make sense of things, it didn't help that the source wasn't consistent. More especially, it made life miserable trying to encode a video using standard tools (ffmpeg) instead of popular tools (HandBrake). Just as I'm a purist when it comes to original source, I'm also driven by wanting to use as small a tool and set of options as possible -- in that case, ffmpeg. Since I couldn' | ||
- | |||
- | It basically spiraled me down into a confusing mess of trying to hit target bitrates, and basically causing all kinds of audio sync issues from day one. It was (and still is) very frustrating. I went years banging my head against a wall, and finally actually tried using HandBrake, and I've been using it since then for all my DVDs. | ||
- | |||
- | So, the first reason I like encoding my video to 60 fps is that it standardizes the frame rate. No more variable frame rate, and I always know it's going to be the same across the board. | ||
- | |||
- | On that same principle, I do the same with my audio encodes as well. I prefer using a constant bitrate for my rips. All my MP3s I'll encode at 320 kbps. Can I tell the difference between that and variable framerate with default settings? The answer is, sometimes. | ||
- | |||
- | Fundamentally, | ||
- | |||
- | There' | ||
- | |||
- | The second reason for moving video to 60 fps is that it's becoming the standard. Blu-rays have it in some cases, and as ridiculous as it is, I also encode my DVDs to other specs that Blu-rays have, such as using the 4.1 H.264 level. Again, more consistency. | ||
- | |||
- | A third reason is that the encodes are somehow smaller with 60 fps. I have no idea why, as I don't completely understand the encoding process, but I'll happily take the 5% decrease as a bonus since I don't have *that* much storage still. |