Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
x264 [2017/04/02 22:06] beandog |
x264 [2023/04/09 19:56] (current) beandog |
||
---|---|---|---|
Line 1: | Line 1: | ||
- | ====== x264 ====== | + | ====== x264 / AVC ====== |
* [[Handbrake]] | * [[Handbrake]] | ||
Line 24: | Line 24: | ||
=== H.264 levels === | === H.264 levels === | ||
- | DVDs max out at high 3.1. You don't need 3.2 on DVDs because that is the first level that accepts 720p. | + | DVDs max out at high 3.1. You don't need 3.2 on DVDs because that is the first level that accepts 720p. |
- | Blu-ray at high 4.1. You can go higher if you want, it's your preference. :) | + | Blu-ray at high 4.1. You can go higher if you want, it's your preference. :) |
The levels (baseline, main, high) are used to determine which hardware you want to target, and influences what quality you can expect and what encoding features will be used. Blu-ray uses high profile. | The levels (baseline, main, high) are used to determine which hardware you want to target, and influences what quality you can expect and what encoding features will be used. Blu-ray uses high profile. | ||
Line 46: | Line 46: | ||
=== mtune === | === mtune === | ||
- | Keep it simple (for DVDs): use ''film'' or ''animation''. For **old** movies or sources that have artifacts already, use ''grain'' or you risk making it even worse. | + | Keep it simple (for DVDs): use ''film'' or ''animation''. For **old** movies or sources that have artifacts already, use ''grain'' or you risk making it even worse. |
=== Choosing an x264 preset === | === Choosing an x264 preset === | ||
Line 79: | Line 79: | ||
* [[http://x264dev.multimedia.cx/archives/102|Encoding animation]] - good read for overview of challenges. | * [[http://x264dev.multimedia.cx/archives/102|Encoding animation]] - good read for overview of challenges. | ||
- | "All of this combines to make animation at first glance deceptively easy–but in reality quite difficult–to encode." So true! | + | "All of this combines to make animation at first glance deceptively easy–but in reality quite difficult–to encode." So true! |
His tests on x264 | His tests on x264 | ||
Line 101: | Line 101: | ||
* uneven multi-hexagon (umh): slow, slower, veryslow | * uneven multi-hexagon (umh): slow, slower, veryslow | ||
* exhaustive (tesa): placebo | * exhaustive (tesa): placebo | ||
- | |||
- | === Steve's Defaults === | ||
- | |||
- | Here are examples of using H.264 high profile at level 4.1 (Blu-ray settings), with x264 CRF 23 on medium preset. | ||
- | |||
- | Using MP4 as the container will encode the audio to AAC by default. If using MKV, it depends on the encoder, so I'm specifying it directly. | ||
- | |||
- | libav also has an [[https://wiki.libav.org/Encoding/h264|their x264 guide]]): | ||
- | |||
- | <code> | ||
- | avconv -i dvd.mpg -vcodec libx264 -profile:v high -level 41 -preset medium -crf 23 -tune film -acodec libfdk_aac video.mp4 | ||
- | avconv -i dvd.mpg -vcodec libx264 -profile:v high -level 41 -preset medium -crf 23 -tune film -acodec libfdk_aac video.mkv | ||
- | </code> | ||
- | |||
- | |||
- |